An article in the New York Law Journal reports that US District Judge Shira Scheindlin for the Southern District of New York has appointed a panel of law professors to assist a court-appointed facilitator in developing remedies in the case of Floyd v. City of New York, the stop-and-frisk litigation. Brooklyn Law School Professor of Law I. Bennett Capers will serve as chair of the Academic Advisory Council to assist facilitator Nicholas Turner of the VERA Institute of Justice. Turner will work with the NYPD and the Academic Advisory Council in a mediation process to develop reforms. Longer-term changes include a trial run of body-worn cameras in the precinct in each borough that saw the highest number of stops.
The second part of Judge Scheindlin’s opinion in last month’s ruling lays out her remedies. Those include “immediate changes” to the NYPD’s implementation of stop-and-frisk, such as revisions to NYPD training materials, more thorough documentation of stops through a new form and better and more thorough activity log records, as well as a better standard for the NYPD’s supervising officers to assess the constitutionality of the stops their subordinates are making.
Other members of the panel are retired Brooklyn Law Professor William Hellerstein, Ian Ayres of Yale Law School, Alafair Burke of the School of Law at Hofstra University, Miriam Gohara, visiting assistant professor at Columbia Law School, Taja-Nia Henderson of Rutgers School of Law-Newark, Tanya Hernandez of Fordham University School of Law, Conrad Johnson of Columbia Law School, K. Babe Howell of CUNY Law School, Olatunde Johnson of Columbia Law School, Tracey Meares of Yale Law School, Janice Tudy-Jackson of Columbia Law School and Steve Zeidman of CUNY School of Law.
The appointment of the Council comes one day after the Judge’s Order denying New York City’s request for a stay pending appeal of her appointment of a police department monitor to help develop and implement reforms of stop-and-frisk practices. The city has moved for an expedited appeal in the case the case and is expected to ask the U.S. Court of Appeals for the Second Circuit for a stay.
For background information on the issue of stop and frisk, see SARA, the BLS Library Catalog, for the 27 page internet report Stop-and-Frisk 2011 NYCLU Briefing.






After years of efforts to repeal New York City’s outdated Cabaret Law, the City Council is on the verge of repeal. The New York Times reports today that After 91 Years, New York Will Let Its People Boogie. The “no dancing” law is set to be struck down with a new bill tomorrow according to a report. Councilman Rafael Espinal told the newspaper that he has the 26 votes needed to pass a repeal through City Council, as well as Mayor Bill de Blasio’s approval. In 1926, while liquor was bootlegged and Jazz was shaking things up in Harlem, New York City instituted the Cabaret Law that required establishments serving food or drink to obtain a separate license before permitting any dancing or live music on their premises. This law successfully sought to police and restrict the interracial mixing happening in dance clubs uptown. Almost 100 years later, though times and racial attitudes have changed, the Cabaret Law is not only still in effect and enforced, but contemporary zoning regulations effectively make dancing illegal in large parts of the city.
Drafted by Brooklyn Council Member Rafael Espinal (D-37), first elected to the New York State Assembly at the age of 26 and currently in his first term as a council member, the bill will address a pernicious, racially motivated law that has followed “fringe” musical scenes in the city for nearly a century.
The Brooklyn Law School Library has in its collection Gigs: Jazz and the Cabaret Laws in New York City (Call No. PN2277.N5 C51 2005) by Paul Chevigny, an attorney and former civil rights activist, who recounts his efforts to repeal New York’s Cabaret Law. The book is also available as an e-book. Gigs provides a fascinating account of a unique victory for musicians against repressive entertainment licensing laws. It provides a much-needed study of the social, political, cultural and legal conditions surrounding a change in law and public attitudes toward vernacular music in New York City.
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